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The Pastello Giallo (part two)
After a few minutes, I came to the conclusion that walking in the same
direction at a consistent pace would probably leave me vulnerable. This
wasn't the best approach, especially if someone was following me so I
decided to take a detour. I took a turn back towards the forest, stopping
and turning back half-way and continued on towards what looked like the edge
of the sea. I looked back towards the water, which had maintained a calm
flow, and wondered if I'd over-reacted to some unseen threat. I decided to
take another rest, carefully surveying my surroundings for anything out of
place. I found myself nervously waiting, balancing my position, facing east
in the central area. I was straddling the area between a thick forest and
the ocean, there seemed to be an unsteady balance in that section. I waited
awhile longer until I felt an unexpected occurrence. It seemed that my
presence there was rousing another wave of energy I didn't anticipate. The
sand beneath me began to swarm and spin, throwing up dust and dirt in all
directions. The squall increased in force until a strong wind seemed to be
blowing directly overhead. It pounced and I was immediately inundated by
waves of sharp sand.
The wind storm's intensity and velocity punctured the calm surface, its
frenetic bursts of energy caught me off-guard. Its force seemed driven by a
powerful yet indescribably unnatural force. I wasn't anticipating something
like that happening and stood in place for a few moments, overwhelmed and
frozen by fear. Standing directly in the path of a force of unknown origin,
with nothing for protection quickly became a flawed strategy. The wind
intensified, it unsettled the surface and I nearly lost my balance and was
almost pushed into the ground. I was barely able to keep myself standing
upright, but knew I had to get out of the path. I felt the sand beneath me
beginning to give way, sinking and sliding right under me. I felt my feet
sinking rapidly and the surface was barely holding in place, its foundations
verging on collapse. There was no way to fight this powerful force.
I decided to retreat and took cover from a safe distance.
Quickly jumping out of the way, I escaped just in time as the ground finally
caved in. It continued its malevolent fury for several minutes, crashing
into the ground, tearing and shredding its surface with abandon. The storm
only seemed to grow and intensify. I walked back even further, but kept my
eyes on it. I no longer felt safe, but knew there was nothing I could do to
stop it. I watched its convections swirl and roll, churning through the
sand and shooting rows of thick sand into the skies. It was frightening but
also somewhat mysterious. I wondered what I had done to unleash this
monstrous storm, or if it was a natural occurrence. It wasn't immediately
obvious if I had done anything at all. It seemed to reach a peak and
sustained its strength for a short time. Just as suddenly, it seemed to
quickly diminish, its winds and fury gradually receding back towards the
surface until it had vanished, seeming to sink back beneath the surface. The
sand and dust began to fall back to the ground and covered the surrounding
area quickly as they descended and sank down into to the surface.
It left a large, gaping sinkhole that created a huge gap that punctured the
ground. Despite its mysterious origin that seemed to have a strange allure,
I was determined not to succumb to its quietly strident appeals and
accidentally fall into its trap. I took a few steps back and watched the
swirling winds subside until an uneasy calm tentatively returned to the
surface. I took in a deep pocket of open air, held it fast and released it
slowly, allowing its newly cleansed openings wash the dirty sand from my
throat and eyes. I held back but my eyes were drawn to the cavernous gap in
front of me. It held an unmistakable allure, but one that I was somewhat
reluctant to act on. The result of an enormous convulsion. I took an
instinctive, yet tentative approach and moved towards the freshly created
chasm carefully.
Attempting to map and trace its shapeless, impenetrable contours proved
nearly impossible. I started nervously peering down into its dark
formations. This yielded nothing useful so I moved a few steps inward. I
held onto my side, steadied myself on its periphery. It wasn't quite as safe
down there, but I was undeterred. Taking a few steps down, I resumed
cautiously observing the newly opened chasm from what was no longer a safe distance.
I tried to unravel the layers of darkness surrounding its entwined arms,
but, clasped together firmly, they revealed little. I tried to peer
down into its core, but it was murky, unclear and forbidding. The chasm
seemed to grow ever darker, exponentially intimidating as I dew closer.
Before realizing what was happening, the oncoming vacuum had grown stronger,
its darkening pull intensifying, making further exploration unwise. I felt
the ground slipping away as it barreled down and outward, creating a rapidly
gestating trap
underneath the surface.
Nervously, I walked a bit closer, but the ground in the immediate area was
becoming increasing threatening and unstable. I decided to stand back, I didn't want to fall in. I
knelt down towards the surface and tried to look closer. The gnawing teeth
of the wound were visible at close range. It appeared that the land had been
savagely, recklessly chopped up, like the surface had been ripped apart by
sets newly sharpened knives. It wasn't a welcoming sight but it was a relief
that I'd escaped before the chasm opened. The motivations and reasons for
the outburst weren't immediately clear. I took a step closer, but didn't
move too far into its radius. I decided not to look into this further. Any
clues hidden at the bottom of the below would have to remain there,
protected by distance and shrouded in darkness.
In an attempt to get a better handle on the mysterious events, I decided to
walk the circumference of the crater and scanned its surroundings carefully.
Aside from the burned, torn-up ground nothing seemed to stand out as I made
my way over the ground. Cascading, shifting and swirling underneath, the
destabilized surface continued with its unsettled motions, gradually assuming and
reclaiming its former steadiness. I still felt the shifting, uneven sands
struggling to support my weight. This made for a treacherous foray and there
were several points where I got a little ahead of myself and almost tripped.
Fortunately, I was stable enough to fight the constant battle, and continued
moving around the chasm until I had reached the direct opposite to where I'd
arrived. Standing directly across from my starting point, I noticed
something I hadn't anticipated. Towards the west, there seemed to be a large
metal object peering out from the edge of the crater. Balanced carefully on
its side, it was nearly flush with the surface and would have been barely
noticeable had I remained on the approaching side. I walked back towards it
and as I drew closer, it seemed to have slipped a little downward towards
the gap and was slowly tilting backwards, gradually being pulled into the
gap by its unrelenting gravitational pull.
Working towards the central section, I was finally arriving at close enough
range to achieve a higher angle and safer position, it became obvious that
its
thick trunk had quickly shifted towards the unstable center. It had
gradually slid down towards the outer edge until it was nearly falling off
the side of the gap. It was quickly succumbing, almost inevitably falling
beneath the surface. It was gradually sliding and slipping, nearly pushed
beneath the sand. It was right on the edge, tilting towards oblivion. I knew
eventually it would slide all the way and plunge into the abyss. I had to
act quickly and decided to take a risk, I walked down towards the edge and
grabbed its side just in time. When I pulled the metal case out from the
sand, It was a bit longer than it first appeared. It was also quite a bit
heavier than I anticipated. I took it out and held it in both hands, and
walked back towards a safer location away from the hungry gap that seemed
ready to consume it. The heavy box held steady in my hand. I grabbed it at just the right moment,
but it was too heavy for me to sustain for long, so I placed it on the
ground at a safe remove and it finally came to rest at a relatively stable
location. I had no idea what could have been inside, but there had to be
some reason that it had been left there. I wanted to know what was inside,
but hesitated for a moment.
It could have been something bad; I had no idea, so I decided to examine its
outside carefully, moving my fingers across its sides, attempting to locate
any clues as to what lurked underneath its heavy lid. It was closed tightly
but it wasn't completely impenetrable. Holding onto it with both hands
allowed some added leverage, but it was still putting up strong resistance.
It needed a forceful push with both my arms but eventually, it finally gave
in. My efforts had been successful and I was able to dislodge enough so that
it slipped out of hiding. This took a lot more energy than I expected, but I
didn’t want to give up so quickly. I decided to keep going and struggled to
lift the thick lid out of the way. After attempting to lift it straight up,
it became obvious that it was too heavy. I decided to try opening by pulling
it across the trunk instead and it began to slide in that direction. There
wasn’t as much resistance from that direction and I was finally successful I
was slowly able to dislodge and caught a small glimpse of what was hiding
underneath. I wasn't expecting anything in particular but was surprised to
discover what was peeking out from inside, there was an unexpectedly vivid
stroke of color glistening through the narrow opening. I was caught
off-guard and somewhat surprised by how unaffected it was, the unapologetic
energy undiminished by time. Its bright, bold shapes were flawlessly
preserved without losing any of the life evident within its glistening,
pastel-infused incandescent colors.
It seemed to exist almost beyond the structures and restrictions of time,
and I decided that it needed some kind of protection. It wasn’t far removed
from its dangerous situation. I pulled the canvas closer, further away from
the menacing gap. Moving it closer towards the sunlight, I watched it
brighten, seemingly relieved to have escaped the shadows after such a long
time. I resolved not to let it out of my sight for long. I knelt down and
looked at it carefully, not wanting to touch it. As I gazed into the
painting, it formed a kind of bond I couldn’t measure that produced a
mysterious energy. I began to visualize and internalize the many points and
forms, cataloging the fine-strokes and washing forms of its particular
aspects in my mind. Dividing it into sections in my mind allowed me to see
smaller differences within its assembled forms and shapes. This close look
also revealed a surprising number of variations and its intractable
contradictions became more apparent. The brightly-colored painting gave off
a strange aura, and I while it didn’t reveal its precise date, I somehow
knew that it was definitely meticulously planned, but also much older than I
realized.
Paradoxically, the energy behind its brush-strokes seemed simultaneously new
and warm, its bright hues maintained an uncharacteristically vibrant
consistency. I was drawn in by its unapologetically bright pastel colors,
which had been hidden, settling in place undisturbed for an indefinite, yet
undeniably long time until they seemed to have burst back into view all at
once the moment I unfurled the canvas sheets. Despite all the time that had
passed, the composition and balance remained beautiful, contrasting and
enigmatic. The painting grew even brighter with each moment, its surface
colors intensified. The canvas started glowing even brighter after I had
fully opened the canvas and exposed it to sunlight. I held it up for a
moment, then placed it carefully back on the ground. It seemed almost
impervious to time yet also strangely fragile.
The painting exhaled deeper the further I walked away, responding to the
increasing distance with resignation. I looked at it carefully to see if I
could extract any additional information, but its origin was more complex
than it first conveyed. I tried to push against it, but it seemed stuck in
place at first. I slowly tried to move it around so it wouldn't rip or tear
and after carefully pulling at its side, the paper finally gave way, I took
it out carefully so it wouldn't rip and it slowly came out from under its
hiding place. It looked like a heavy, and very old piece of parchment paper.
It was tied in twine ribbons and didn't reveal its contents initially. I
carefully undid the bindings an unrolled the canvas, looking for some sign
or symbol. It unfurled quickly, but didn't discharge any secrets. After all
that effort, it had turned out to be a blank swath of canvas. I was
disappointed at first, but noticed something strange when I held it towards
the light. There seemed to be something painted and colored on the other
side. I turned it over and was stunned by the strange design and vibrant
colors. It looked like a type of strange puzzle with multi-colored, bright
shapes covering it surface. There wasn't an immediately discernable pattern
or reason behind the peculiar image at first. It resembled a jumble of
disconnected colors splashed on the canvas haphazardly, seemingly applied to
the surface in a rush, like a quick painting project rushed to completion.
There was an unspoken vulnerability in its simplicity that was evident
despite its apparent lack of wear. Springing forth from the canvas, the
brush strokes, layers and fine, fragile textures seemed to contradict its
simplicity. It seemed to work against itself, simultaneously building and
hiding, pushing and pulling at the same face. It resembled a false mirror
with a reflection that was impossible to pinpoint. The longer I gazed, the
more it seemed to be playing tricks on my eyes. The shapes within it almost
seemed to change, as if they were breathing. When viewed from different
angles, they looked like they were inhaling and exhaling. This strange
metamorphosis continued when I viewed it from even further out. I extended
my examination to cover different angles and each one seemed to reveal
something previously hidden.
I held it in my hands and examined it closely. After a few minutes, my
perspective seemed to change. Instead of seeming random, the intersecting
shapes slowly evolved, and its complexity and detail emerged, my eyes began
to adjust and see things that weren't evident at first glance. The seemingly
random brush strokes took on a distinctive form as I examined them closely.
I held the painting up farther towards the light and was surprised to see
that, despite its age, there didn't seem to be that much wear and tear on
the surface. There weren't any visible lines or creases evident despite the
age of the material. The longer I looked at it, the more distinct and
purposeful its design seemed to become. The strange painting seemed to have
come to life with a hypnotic appearance that drew me in. Its origin seemed
quite mysterious and I had many different questions. It seemed to have been
inexplicably well-preserved. Its bright and cheerful colors seemed vibrant
and very much alive. The painting radiated a strange energy and seemed like
it could have been painted the day before.
Searching thoroughly, my instincts couldn't locate any markings that would indicate a
signature. There were no discernable initials, names or even a date to be
seen anywhere on either side of the impeccably preserved composition. I
turned it over and looked for any sign of its creator, but there was none to
be seen. Flipping it back over, I accidentally unfurled it in the opposite
direction and this had the unexpected effect of revealing another kind of
identification. This wasn't immediately evident, but there was a familiar
style and approach to the painting that seemed a bit strange, but I couldn't
quite understand how it might have gotten there or the purpose behind its
inspiration. Examining the interlocking shapes, I noticed that they seemed
to build on each other in a subtle fashion. When I looked closely, I noticed
that some of the seemingly random shapes were repeated, appearing in
different rotations and angles. They almost looked like they were connected
somehow, their edges almost melded together. It seemed like an odd subject
for a pastel-infused, supposedly simple drawing but after a few minutes, I
gradually came to realize that, perhaps, there was more to the painting than
I'd initially expected.
I turned the canvas over carefully to examine its surface and tried to locate its
source but it didn't reveal anything. There were no faded marks to be seen
anywhere on the back of it. I decided to walk back towards the mysterious
trunk where I'd discovered it, and carefully peered back inside to see what
else might be lurking. I pushed its cover back a few additional inches until
I saw what had given it so much weight. I cautiously rustled around inside,
and the loud clanging noises gave off a strange echo that seemed to be at
odds with the tranquil surroundings.
I tried to move some of the mysterious objects around, but they didn't
really seem like they wanted to be removed. I tried to pull on them but they
wouldn't budge at first. It took me a few attempts before I was able to get
one small piece from the assemblage. I took it out, placed it on the ground
and examined it. Resembling a broken piece of metal, it was twisted into a
strange shape, covered in scratches and dents. It seemed like it had broken
off from a much larger piece but I examined it carefully. There were no
markings or indications on it, but its thick surface and hard design seemed
to be somewhat stronger and heavier than I anticipated. Placing it back on
the ground, I resumed rifling through the trunk and located additional small
pieces, which I looked like they had come apart from a larger object as
well. I added these to the assembled pieces and tried to make sense of them.
They looked like they'd been broken apart and severely damaged. I searched
and extracted more pieces until I had a small pile of them scattered around
the base of the trunk.
It took several attempts until I was able to uncover the main shaft from
the trunk. I pulled it out and it seemed to be much longer than the other
pieces that had been hidden inside. Its surface was strangely smooth and
didn't have any rust or significant dents. It was a lot heavier than the
other pieces and it took some effort for me to maneuver it until I placed it
at the bottom of the pile. I took one final look through the trunk and
uncovered a few additional small appendages. Once I was satisfied that I'd
taken all of the objects from inside, I decided to take a few minutes and
examine the objects that had been boarded up all that time. Scattered across
the ground, they seemed like broken remains of some kind of pipe or long
metal scroll. I couldn't understand what their purpose might have been or
why they would have been hidden inside.
Even less obvious, the connection
between them and the pastel painting didn't seem to make much sense. I
examined the disconnected parts and they didn't seem like they belonged
there. I picked some of them up and tried to put them together, but there
wasn't any obvious methods to fasten them together. I tried many different
combinations between the pieces, and there was very little effect. Some
seemed like they might have matched, but their edges were brittle. I had no
idea where they were supposed to go, or if they even did. I tried multiple
attempts to bridge their connections but was careful not to be hasty, since
I didn't want to cause unnecessary damage.
It wasn't immediately clear how they were going to fit together which was
perplexing to me. After a few frustrating minutes, I put the few small
pieces back on the ground and looked at the arranged parts scattered across
the ground. I stood back a foot or so and tried to look at them in total.
None of the parts looked like they'd fit together and I was stuck, I
wondered and my mind went in circles trying to figure out how or why they'd
been placed underneath the painting in the first place. I decided to unfurl
the map once more and see if it contained any clues. There seemed to be
little linking it to the parts beneath, and my attempts to merge the drawing
with the parts went nowhere. I attempted to decipher some connection and
moved the painting around and backwards, then tried holding it upside-down
and then turned it over again. Nothing in the painting's elaborate design
seemed to clarify the mysterious appearance and obtuse companionship for. I
finally came to the conclusion that It was just a random coincidence. I was
getting nowhere with my theory, and I was wasting effort. After staring at
the parts without gaining any insight, I closed my eyes and stepped
backwards. I felt something in my pocket and another idea sprouted to me
without warning. It took me a moment to realize what it was, but I decided
almost immediately that it was time to take a different approach.
I was examining the pieces and had nearly given up until remembering
the strange map that I'd carried around with me. It's esoteric design and markings
didn't seem to make sense, initially. I had dismissed it as a possible
diversion that probably had no connection to things. It remained in my
pocket and I hadn't really considered that it might be useful. Despite my
best efforts, it had been an impossibly complex jumble of lines and
intractable symbols that I wasn't able to unravel. I had nearly forgotten
about it while I concentrated my energy on the objects inside the heavy
trunk and hadn't considered that there might be some connection between
them. I took it out of my pocket, unfolded it again and looked closely,
attempting to find anything that might bring things together. I looked
carefully and scrolled my fingers across the interconnected lines and tried
to trace the dots to locations of the parts on the ground. I tried to make
the symbols on the map match up to the parts on the ground, but there wasn't
anything at first. I held it up to the sunlight and attempted to cause some
kind of reaction, but it wouldn't cooperate. If anything, its scrawled and
disjointed lines were even more confusing, their meaning remained almost
totally indecipherable.
The mystery became increasingly intractable the longer I dwelled
on it. Deciding to take a rest for a few minutes, I put the painting and map
down on the ground, and began pacing back and forth. It seemed to be taking
forever to get anywhere, and I had become a little stuck in that place,
unable to make connections that might have seemed obvious in other
situations. I felt myself becoming increasingly frustrated but remained
determined to see things through. I looked past the gap and back towards the
beach and wondered what was waiting for me if I was fortunate enough to
finally escape the predicament I’d constructed for myself. I looked back
towards the heavy trunk and it seemed stable in its position. I was glad I
had moved it, but it had taken a lot out of me to complete the task. I
wandered a bit longer, and my arms began swinging at my sides again, almost
involuntarily. The sweeping motions seemed to have a different effect,
somehow eradicating the doubt and fear that had built up. In some strange
way, I felt it that there was something I was missing. I took a walk back
towards the gap and stopped and looked at the map and painting once more.
They seemed to have changed in some subtle way, and as I walked closer, I
was struck by an almost immediate burst of recognition followed by renewed
inspiration.
I took another, more pronounced look at the painting and the map. For some
odd chance, they seemed to have come to a strange alignment. I could see
them almost layered on top of each other, stacked together, they seemed to
have combined in a strange way. I looked them over carefully and decided to
pull them up together. Carefully holding them, I began to see something form
that I hadn’t expected. The lines on the map intersected seemingly perfectly
with the shapes on the painting to create an unexpected combination. At
first, I could see the outlines of something but wasn’t quite sure what I
was looking at. I took a few minutes and allowed the merged image to come
into being, slowly appearing and changing until it seemed the map and
painting had combined in an unexpected manner. They had merged together, and
in their alignment had formed a much clearer design. The maps intractable,
incomprehensible and frustrating structure had transformed. What had
resembled irrational scratches, irregular disconnected lines and odd shapes
began to coalesce into a set of directions that I was able to read and
follow. It didn’t take long for me to decipher their meaning and the mystery
behind them became more obvious when I glanced back on the ground and saw
the parts arranged, their pieces stacked in aligned, similar forms that made
them easier to locate.
It was becoming increasingly obvious what their purpose had been, and I was
able to place them in relation to each other. I looked them over carefully,
and while there was still a jumbled appearance to the assembled parts, there
were definite links between the pieces. Walking closer towards them and even
more connections began to emerge when I started putting some of the smaller
pieces together. When I completed these smaller sections. I began to notice
even more familiar patterns as they came together. It was impossible for me
not to notice the shared design between the pieces on the ground and the
directions I’d uncovered. Converting the pieces into shapes that matched the
printed directions wasn’t as difficult as I thought it might be. I worked
systematically and was inspired as the assembled parts began building into
larger, recognizable shapes. After putting most of them together, I decided
to take a step back and look at them in their entirety. I took a few paces
from the disjointed pieces on the ground and immediately noticed that they
had taken on a significantly different appearance. Glancing back and forth
quickly, the disconnected symbols, scattered points and incoherent lines
meant. I took my fingers and traced the points on the map. I finally knew
what its symbols had actually represented. Its true purpose was only visible
when combined with the brightly colored figures on the painting.
When I figured out what I was supposed to be doing, the task grew much
easier. I developed an unexpected anticipation that gave me renewed energy
and purpose. I began quickly putting the remaining parts in place as the
strange items’ purpose became clear. As I gathered, sorted and the newly
joined sections laying on the ground, I used the directions to assemble them
into a series of even larger pieces. This was a little more difficult than I
anticipated since the combined objects quickly grew heavier, making them
less maneuverable. This didn’t dissuade me, but slowed my progress. My only
concern was whether what they would form a functioning device or what its
usefulness might be. I decided not to allow doubt to block my progress and
continued without encountering any unforeseen troubles while I assembled its
pieces.
After several minutes fine-tuning and making adjustments, all the parts were
seemingly present, their forms intact and in the right position. Every piece
fit together nearly perfectly, with no effort, and was present, according to
the directions. It didn’t seem like I’d made any mistakes, but I
double-checked just to be sure. There was a strange simplicity and clarity
in the directions that made it surprisingly straightforward and simple task.
The most difficult portion came before in my long journey. To locate the
directions and more importantly, figure out how to read them. As each
section of the construction came together, I began to feel a strange sense
of recognition. I had seen something like it before. It seemed that I was
destined to find it somehow, that it had been placed deliberately, possibly
some kind of test set out for me. It felt a bit odd that there was
surprisingly little friction on the parts. It was a bit strange how easily
they glided in place and fit together perfectly. Despite all my efforts, it
still felt like its elaborate construction and design was out of place,
standing apart from the surroundings, piercing the atmosphere’s surface. It
was also a little strange to me that the pieces were pre-molded ahead of
time, fitting together effortlessly without using even a screw or fastener,
I was satisfied that I had managed to complete the task but Its purpose
still wasn’t clear. I took a step back and realized that the scattered,
serendipitously connected pieces converged into an unmistakable form,
creating a portentous machine.
- Michael Palisano
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